Updates getaggt mit long legs bondage Seite 5

Encore! As we begin the second camera versions of this feature, the charming introductions with Arielle Lane and Ashley Lane have been removed so we can get right to the bondage action. In the first segment, Arielle Lane has gone undercover dressed as a French maid (in a short maid uniform, patterned stockings and strappy heels), investigating the story of a missing mermaid. The gorgeous brunette is caught snooping and consequently tied up. She's interrogated by her captors, and while she's completely honest about her motives for infiltrating the party, she tries to minimize the ridiculous story. But the villains know how serious this is, and they ballgag poor Arielle. She struggles in vain against the snug ropes, helplessly drooling past her gag. They expose her pert, all natural breasts and Arielle wonders how she'll ever be able to escape from this dilemma. It could only be more humiliating if her cousin Ashley was the one who came in to rescue her.

As "Women In Black - The Half-Bondarian" story continues, the Women In Black's newest agent, Lola Pearl (in de rigueur pantyhose, white shirt, black tie, skirt, jacket and heels) is sent to get help from the mysterious Dr. Wolf. The unsuspecting agent is quite surprised to discover that the doctor is a werewolf, and he doesn't like visitors! The furry villain uses a devious paralyzing spray to subdue the statuesque beauty, and she's soon bound to a post. Dr. Wolf scans her DNA, and they're both shocked to learn that Lola is half-human and half-Bondarian -- the first one ever known! He ballgags the leggy brunette, exposes her perfect breasts and hikes up her miniskirt and then plans to sell her and make a tidy profit from his unexpected discovery. Poor Lola desperately tries to free herself from this perilous situation. Will she be able to access her newly-revealed Bondarian side in time to save her own life?

This story begins with a brief introduction from the stars, Arielle Lane and Ashley Lane. Our plucky damsels (dressed up in minidresses, stockings and high heels) explain that they're cousins and share a few genetic traits from their famous great-grandmother. For one thing they're both reporters, Arielle for "The Los Angeles Tribune" and Ashley for "The National Rumor." They also both love snooping around, and they have a special affinity for getting into trouble. It almost goes without saying that the danger-prone journalists give this explanation while bound hand and foot.

Next Arielle Lane has gone undercover dressed as a French maid (in a short maid uniform, patterned stockings and strappy heels), investigating the story of a missing mermaid. The gorgeous brunette is caught snooping and consequently tied up. She's questioned by her captors, and while she's honest about her motives, she tries to minimize the ridiculous story. But the villains know how serious this is, and they ballgag poor Arielle. She struggles in vain against the snug ropes, helplessly drooling past her gag. They expose her pert, all natural breasts and Arielle wonders how she'll escape from this dilemma. It could only be more humiliating if her cousin Ashley was the one who came in to rescue her.

Meanwhile in the boss's office, Arielle Lane (her tight skirt hiked up to her waist and her top pulled up to expose her pert, perfect breasts) is still ballgagged and she's been securely bound to a stool with a vibrator strapped strategically between her legs. Ms. Lane's captor lets her know she'll be performing a live show featuring a bondage orgasm for his high-paying audience, and he switches on the powerful device. The trussed-up damsel makes a vain attempt to resist the Hitachi, but escape is impossible and before long she submits to a helpless orgasm.

Because of running time limitations, only a scant few seconds this delightful scene starring Lauren Kiley made the final edit of "The Wrong Hostage," the second story of the "Innocent Vixens" feature.  In this tale loosely based on actual events, a documentary crew wanted to make a film about the dangers of celebrity.  They devised a hypothetical hostage situation with a supermodel, and they hired her lookalike cousin to portray her for the film.  However during the production, genuine criminals nabbed the stand-in, and director Lauren Kiley was left bound, gagged and energetically struggling.  As the scene opens, the curly-haired babe is seen tied bent over a large trunk, her skirt pulled up and her remarkable panty-clad backside on display.  Her toes are also tied and a production assistant finds her in this embarrassing predicament.  He pulls down the cleavegag and asks her what happened, but it despite the apparent rescue, Ms. Kiley is not going to be rescued anytime soon.

With her hostess duties for the American Damsels Network's preview show completed, Mary Jane Green (still dressed in a black, corset, gloves and sheer-to-waist pantyhose) finally takes her turn to show off her own substantial bondage skills. She trades her high heels for a pair of high fetish ballet heels, and a red ballgag is strapped between her lips. Still tied hand and foot, the gorgeous babe goes through her paces, sensually squirming and striking a series of poses that showcase her long, long legs and adorable nipples peeking over her corset. It's going to be another great season!

As the story begins, we learn that security specialist Britney Amber has decided to aid the authorities in tracking down the criminals responsible for holding her captive as part of "The Secretary Scheme." To gather information, she arranges a meeting with Alex Harper, a government agent working undercover in a company connected with the criminal empire. However, Ms. Harper doesn't make it to their appointment, and we immediately see why: The sexy secretary (in a snug-fitting knit top, miniskirt, dark stockings and heels) is cleavegagged and securely bound to a tall stool that shows off her remarkably long, shapely legs. Before long her mysterious captors expose the stunning brunette's luscious breasts, and she struggles to free herself, but all her efforts are in vain.

Agent Ashley Lane is still the helpless captive of a mysterious ski-masked evil-doer. As part of her interrogation, poor Ashley (in a white blouse, tight black miniskirt, pantyhose and high heels) is silenced with a medwrap gag and tied standing and bent-over in a sort of posted strappado position. The leggy operative is completely unable to move or escape from her predicament as the villain lifts up her skirt to expose her pantyhose-clad backside and humiliate his sexy prisoner. She refuses to cooperate, but what will the dastardly fiend do with the vanquished agent next?